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"MOTH TO A FLAME" out now

Moth to a Flame unleashes a barrage of heavy-hitting drums that converge with a unique tapping-style guitar melody, transporting listeners into the heart of a war zone. The lyrics speak to our innate attraction to the things that cause us harm, likening it to a moth‘s mesmerizing dance around a flickering flame. As The Kaleidoscope Kid proclaims, “This is not art… this is war.” The track encapsulates the artist’s struggle within himself and the obstacles he faces in the music industry.

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About The Kaleidoscope Kid

Hailing from Phoenix, The Kaleidoscope Kid emerged from Arizona’s vibrant skateboarding scene at the dawn of the 21st century. This era was characterized by a diverse group of avant-garde individuals, ranging from punk aficionados and eclectic artists to hip-hop enthusiasts and hippies. This unique assembly was united by two things: an extraordinary penchant for self-expression and a profound love for music.

“When I was around 9 I begged my parents for an electric guitar. When I got one, all I wanted to do was make it sound like Jimi Hendrix. I learned a few riffs but became more interested in skateboarding and girls, so the guitar just sat there for another 10 years before I picked it up again,” reflects TKK.

In Sedona, KIds life took a turn towards solitude, exploring the expansive canyons and forests with his guitar as a constant companion. “When I moved up to Sedona something told me to bring that guitar. I mean I had no TV or internet so I figured I would need to find ways to entertain myself, and eventually, I was carrying that thing around like it was attached to me.”

After five years in Sedona, TKK returned to Phoenix in early 2020, finding a new home in a music studio owned by the Phoenix hip-hop group “Odd Squad Family” in Scottsdale, AZ. This environment proved to be fertile ground for creative growth. “When you’re sleeping on the floor at a studio and it’s music pretty much 24/7, you’re going to learn a lot. I went from making music by myself the previous 5 years to being around a group of incredibly talented individuals and the studio was like a magnet for like-minded creatives. I had no idea what I was doing there but I felt as though I was in trust fall with God, or the universe, or whatever you want to call it. The more I learned to trust the process, the more I found something was always there to catch me anytime I thought I was finally about to crash and burn.”

During his time at the studio, TKK explored a variety of genres and instruments. This period of experimentation culminated in signing a record deal with Regime Music Group and Suburban Noize in September 2021, marking a significant milestone in his career.

TKK’s tenure at Regime was marked by the release of his self-titled EP “The Kaleidoscope Kid” and the 2023 LP “Nothing for Free,” which received national alternative radio play followed by constant touring and festival performances. “Those first two years touring were crazy. Just having the opportunity to open up for a bunch of amazing artists like, Hobo Johnson, The Moss, Milky Chance, Incubus, Felly…” 

In early 2024, TKK released “Azul”, his first independent album since departing from Regime. “Azul” was initially unveiled in 2021 but was promptly withdrawn following interest from Regime. “We originally dropped the album on August 27th, 2021 and a few days later Regime had reached out saying they were interested in working together, so we decided to take the album down.”

Now, after a period of prolific creativity, TKK chose to reintroduce “Azul” to the world. “I had written so much music in those three years that I started to question whether or not I should even drop Azul.”

As 2024 unfolds, The Kaleidoscope Kid continues to evolve his music, reflecting a journey of constant transformation and exploration. What’s next? Watch as the story unfolds, and the kaleidoscope keeps turning.”

To be continued…

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